![]() No one needs to ask a bunch of questions to understand what it is. There’s enough there that one can really picture the story. In a compelling logline with a high concept element, it’s clear what the idea is, and why it’s compelling. What if a forty-year-old man was still a virgin, and his sex-obsessed male co-workers tried to fix that?.What if a teenager time travels to the past and gets in the way of his teenage parents’ meeting, so he has to get them together, then find a way back to the future?.What if there was a theme park with dinosaurs that got loose?.(The Hangover)Įrik explains that often they come from a “what if ” question, along the lines of: Three grooms men who lost their about-to-be-wed buddy during a night of drunken misadventures in Las Vegas-which they have no memory of-must try to retrace their steps in order to find him in time for the wedding. (The Graduate)Ī down-on-her-luck maid of honour seems to be losing her best friend to a richer, prettier, more confident married woman, so she sets out to defeat her and prove that she’s the better bridesmaid. (Schindler’s List)Ī naive recent college graduate gets involved in a secret affair with a married friend of his parents, whose daughter they think he should date. And it lays out a central challenge that sounds really difficult, and entertaining to watch.Ī slick German industrialist profiting from World War II becomes sickened when he sees what’s happening to the Jews, so he starts employing them, to try to keep them out of the clutches of a psychopathic Nazi camp commandant he’s become friendly with. It presents a compelling situation for a character or characters that one can imagine audiences caring about. Logline ExamplesĪ good logline suggests a story that would clearly meet the criteria set out in this book. He says it is typically no more than a sentence or two, and it distils the premise down to the basic problem being faced. In his book ‘The Idea: The Seven Elements of a Viable Story for Screen, Stage or Fiction’, Erik states that in Hollywood, the logline is the standard tool for expressing the idea behind a film or series. Here is what a logline should be from Erik Bork, a successful Hollywood screenwriter and writing mentor. The Logline's Focus Is The Character's Problems This reader can be a literary agent, publisher or film scout, as in the case of Page Turner Awards. Your logline, synopsis, and pitch should focus on: “What is the external problem and challenge that needs resolution here?”Īnother way to describe a logline: A one-liner to describe your story's plot, theme, and tone ~ ideally to grab a prospective reader’s attention. Just Google 'logline' and you will come up with hundreds of formulas for creating your logline. It's the briefest summary showing both your plot and hook to stimulate interest. ![]() A logline conveys the dramatic story of a film or book in the most abbreviated manner possible.
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